HAND-DONE: ART? FASHION? JEWELRY?
Monday, June 7th, 2010An item, torn out of the May 12, 2010, New York Times asks the above question about a new line of jewelry and concludes that the jewelry is “maybe all three”.
Well, why not? And how is it that this confluence of three vital definitions do not occur more frequently in jewelry today?
This news item has sat on my work table for nearly a month now. I confess I did not want to further explore what the competition was doing! I have just now picked it up and investigated the web site of Ashley Hanosh’s trendy clothing store, Honey in the Rough (www.honeyintherough.com) that displays the work, a collection of new jewelry from Florian, called Zulu Soiree.
I was prepared to snigger, but came away with full respect and admiration for the collection, produced in Austria, home to Swarovski and cradle of Czech beads. The bib neckpiece pictured in Mary Billard’s article is, simply put, a series of circles hanging from a circlet. All of it is done in Czech seed beads, one of the least expensive materials available to bead artists.
So: so what? Why does it cost so much and why had it commanded the attention of a New York Times writer, let alone garnering a home in a Manhattan boutique? Yup: Bah! Humbug!
Thus emotionally armed, I visited the website to explore the collection, including close-up details of the pieces as well. Yes, there were those silly large seed beads I hadn’t deigned to use in years.
But there is no “simply put” about this work: there is a great deal of art present in it. Let me tell you, having put
together similar pieces, that managing colors, shapes and negative space is not as easy or infantile as it appears to be. Therein is the art that so many bead artists struggle with on a daily basis: this is what the public pays for.
I am especially intrigued with the configuration of many of the necklaces that affords the wearer different ways to wear each necklace — so interesting. I plan to schedule a trip down to the shop, between heat, humidity, snow and rain, to see this collection in person and experience up close the careful planning involved in making this art. I hope there will be some left for me to see.
Care to join me?















